To capture the movment of water is a very demanding task for any artist. In order to grasp this subject, it’s useful to take a look at some of the great masters of this subject. Amongst the many talented painters we find Fritz Thaulow. His ability to represent the tones, shapes and movement in water is paramount in the field.

“Åborenuten” 125×170 cm. Acrylic on canvas 2025.

As for me, I would have to approach this using references directly from the image and then build up layers of shapes that could create motion. I’m always using a photo as reference. However, for moving features like a spring or river, it’s hard to capture the energy without having a clear memory of the actual site.

This challenge proved to be very interesting and will probably be revisited in future projects.

A solo exhibition will open at Bryne Kunstforening on February 18th. Life has been very hectic in the studio, working on several large canvases of which two were prototypes.

I went for a carefully selected range of motifs, some mainly focused on the snow and shadows, others more intricate with many layers. I would like to present a few of the new pieces here. Please read on!

The piece titled “Olalia” stands out as the most complex, and must admit it almost drove me of the cliff at some point. The vild moorland with specks of snow is indeed very hard to simplify and brake down into small color patches. It means small patches, and a lot of them! I also continued my little experiment from recent works, featuring some small birches in the foreground.

“Olalia” 170×125 cm. Acrylic on canvas.

A large version of “Vaulo” was way overdue, and I was curious to see how the massive rocks would turn out. After a few rounds adding shapes using masking tape and some grey, dark and green shapes, the texture was still too smooth seemingly without any language. saying “Look at me, I’m made of rock”.  I had to go more organic, and applied some paint using a palett knife and a beaten up old paintbrush (the kind that is way overdue for the waste bin). This kicked the painting back on track, having created a texture that allowed me to stain and sand down, bringing out a structure that emulates the rocks of this place really well. The big green patch in the front was also in need of different tones in order to function.

“Vaulo” 180×130 cm. Acrylic on canvas.

Bjergane is a part of Midtre Etnefjell with a quintessential Norwegian west coast rock formation. I just love the way the edge curves and slopes, casting it’s shadows towards Mjåvatnet (a lake) gently nested just below the foreground (hence not featured in this painting). This is not your typical landscape painting, with dramatic peaks and graceful trees in the foreground. I wish to promote the beauty of a more subtle dynamic in nature. A landscape shaped by the enormous forces of the glaciers that would slowly grind down the rocks through eons of time …

“Bjergane” 170×125 cm. Acrylic on canvas.

“Djupavasståndo”
48,5 x 61 cm.

Akryl på plate.
Acrylic on board.

“Bordfjellsenden bak Djupavatnet”
48,5 x 61 cm.

Akryl på plate.
Acrylic on board.

“Skygge under Bjergane, Lys over Åborenuten”
122 x 65 cm.

Akryl på plate.
Acrylic on board.